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“By turns achingly poignant and downright hilarious, rendered in prose as supple and surprising as it is consistently brilliant, these stories take us into a world of angels and grotesques, of grace notes and grave truths, of the lost and, finally, the found.”

Ellen Akins
   author of Hometown Brew

“Distinguished by a compressive force born from invention and intensity rather than economy, Kellie Wells's aptly titled Compression Scars is a memorable debut. The writing is consistently fresh and often beautiful, though for Wells beauty is a by-product. The primary function of her language is incantation—necessary to effect the alchemical transformations that inform each story.”

Stuart Dybek
   author of The Coast of Chicago

“Slyly comic yet deeply felt, Kellie Wells's marvelous fiction embraces the sacred weirdness of everyday life. These are magical stories, in every sense of the word, by a writer with a conjurer's feel for the hidden compartments, death-defying escapes, and lighter-than-air levitations of language.”

Peter Ho Davies
   author of Equal Love

“Even in a crowded field, it is a rare pleasure to come across a prose stylist like Kellie Wells, whose intellect and language bid one another beautifully to a dance. A thrilling debut from a writer so agile and subtle in her terms that, like Walter Abish and Kathryn Davis, she dares to be at play in the most unsettling questions of her day. Surely when the present generation of writers shakes down to its unique and irreplaceable voices, Kellie Wells will be one of them.”

Jaimy Gordon
   author of Bogeywoman

 

 

 

 

 

 



Skin  

a Novel
Flyover Fiction Series
University of Nebraska Press
Series Editor: Ron Hansen


“From within the deceptively commonplace bodies of the inhabitants of a small Kansas town with the deceptively homespun name of What Cheer, Kellie Wells unleashes the clamorous, resistless, marvelous voice of our world's collective unconscious, the language of ecstasy and despair in all its manifold registers. Reading Skin is like finding yourself inside one of the great medieval paintings, every last detail (a sycamore tree, a TV, a firefly, a set of dentures in a glass, a meadowlark) perfectly rendered, and exploding with celestial meaning.”

Kathryn Davis
   author of The Thin Place